A story with the power to change how people view the last years of colonialism in East Africa, The Boy Is Gone portrays the struggle for Kenyan independence in the words of a freedom fighter whose life spanned the twentieth century's most dramatic transformations. Born into an impoverished farm family in the Meru Highlands, Japhlet Thambu grew up wearing goatskins and lived to stand before his community dressed for business in a pressed suit, crisp tie, and freshly polished shoes. For most of the last four decades, however, he dressed for work in a primary school classroom and on his lush tea farm.

The General, as he came to be called from his leadership of the Mau Mau uprising sixty years ago, narrates his life story in conversation with Laura Lee Huttenbach, a young American who met him while backpacking in Kenya in 2006. A gifted storyteller with a keen appreciation for language and a sense of responsibility as a repository of his people's history, the General talks of his childhood in the voice of a young boy, his fight against the British in the voice of a soldier, and his long life in the voice of shrewd elder. While his life experiences are his alone, his story adds immeasurably to the long history of decolonization as it played out across Africa, Asia, and the Americas.

“Laura Lee Huttenbach’s debut, “The Boy Is Gone: Conversations with a Mau Mau General”, is a unique first-hand account of cultural lineage, revolutionary awakening and dogged perseverance told in the voice Japhlet Thambu, a man who seems to have fit several lifetimes into the span of one. It is an essential testimony to those seeking to understand modern-day Kenya.”

Michael Deibert, author of “The Democratic Republic of Congo: Between Hope and Despair”
“Laura Lee Huttenbach’s “The Boy Is Gone” is Japhlet Thambu’s story of the brave Kenyans who went ‘into the forest’ as the Mau Mau to battle the colonial forces of oppression in the mid-twentieth century, and his unsparing tale, told with admirable restraint, puts us at the white-hot center of a people’s struggle against economic repression and cultural abasement. Mr. Thambu speaks eloquently in a simple, clear, and unsentimental language that tells a powerful political story and a heartfelt personal story of a husband, father, and businessman motivated by peace, love, and reconciliation.”

John Dufresne, author of “No Regrets, Coyote”
“Those of us who teach African history are always looking for accessible and engaging books to assign our students. Africa is a vast unknown to most American college students. Most of us have developed strategies of easing them into the subject gently. Huttenbach’s book will fit the bill.”

John Edwin Mason, professor of African history at the University of Virginia and author of “One Love, Ghoema Beat: Inside the Capetown Carnival”
“In “The Boy is Gone” we meet two extraordinary people: a national hero of Kenya who reflects on his long and fascinating life, and the gifted young woman from America who felt compelled to write his story. Their touching and, in the end, profound relationship across age, geography, and gender formed the basis of this engaging book, a permanent record of the life and adventures of an African leader set down with grace, intelligence, affection, and style. A valuable contribution to anthropology, life history, and African studies and a recommended read for anyone interested in the modern transformation of African life.”

Melvin Konner, author of “The Tangled Wing”, “Becoming a Doctor”, and “Women After All”
“The saga of the General’s passage from boy to man is a tale of two civilizations caught in the creative and destructive form of contact we call colonialism…. Anyone wishing to broaden their understanding of what lies beneath the veil of stereotypes and Hollywood distortions of Africa, or who would enjoy meeting a character of uncommon intellect and grace, should read this book.”

Theodore Rosengarten, author of “All God’s Dangers: The Life of Nate Shaw”
“The General’s story … will meet scholarly tests but will enchant a much wider audience … and will inform and broaden the views of western readers about Kenya’s important anti-colonial Mau Mau movement at a time when all Americans, through President Obama, have a need to know more about that country’s history.”

Peter H. Wood, author of “Black Majority: Negroes in Colonial South Carolina”
“Laura Lee did what every one of us in the African history field has always wanted to do. She actually lived with the family of her subject. They ate together, worked together (picking tea), stayed together. There is simply no better way for a White outsider to penetrate the core of Meru history.”

Jeffrey A. Fadiman, author of “When We Began, There Were Witchmen: An Oral History from Mount Kenya”